Behzad Khosravi Noori (b. 1976) is an artist and a researcher (PhD) based in Stockholm.
In April-May 2012, Behzad Khosravi Noori had a residency focused on a case study: The representation of Middle East and Middle Eastern in Swedish television since 1976 beginning of Multiculturalism in Sweden. A collaboration with the Multicultural Centre. The research was presented as a temporary banner installation during Fittja Open 2012 with the title MulticulturalISM is dead, Viva the Multicultural.
In 2017, the work Accessing Utopia by Bathutä was shown in Botkyrka Konsthall’s exhibition Tredje Rummet (Third Space). Bathutä is a collaborative project consisting of René León-Rosales, ethnologist and research director at the Multicultural Centre, and Behzad Khosravi-Noori, artist and researcher (PhD) at Konstfack.
MulticulturalISM is dead, Viva the Multicultural, installed on the Multicultural Centre, Fittja Open 2012.
Bathutä
René León-Rosales & Behzad Khosravi Noori
Accessing Utopia
Video installation, 2017
Accessing Utopia is an artwork by the collaborative artistic research group Bathutä. The piece is based on interviews with young Swedish activists who have engaged in organizations dealing with the multiple expressions of racism and social injustice in the Swedish society. Using artistic research methodology the project articulates a narrative strategy which aims to put forward the complexities in the young people’s understanding of their own activism, and hence their political subjectivities.
In bringing forward their narrations about and from contemporary Sweden and its current political state, the project also works with the politics of dialog and listening as a method of engagement in relation to the viewers. It attempts to perform a visibilisation – i.e. the visual production of silences, listening and articulations – of the politics of identifications of the group through the notion of art and the materiality of it.
This approach is staged in the format of a polyphonic multi-channel video installation, in which Accessing Utopia addresses questions of accessibility, institutional involvement and societal knowledge production, arguing for the necessity of critical perspectives on the power structures of knowledge production in society.
The video installation is part of Botkyrka municipality’s art collection, and was shown in the group exhibition Tredje Rummet (Third Space), 2017.
Bathutä, Accessing Utopia, in the exhibition Tredje Rummet (Third Space) at Botkyrka konsthall, 2017.
Bathutä, Accessing Utopia, in the exhibition Tredje Rummet (Third Space) at Botkyrka konsthall, 2017. Photo: Simon Berg
Mångkulturellt centrum and Botkyrka byggen.